Last night’s Tony Awards 2025 was a night filled with unforgettable moments, but one figure shone particularly bright: Cole Escola. The 38-year-old star of “Oh, Mary!” stepped onto the red carpet wearing a breathtaking silvery-blue gown that paid homage to the legendary Bernadette Peters. This striking ensemble, designed by Jackson Wiederhoeft, was not just a fashion statement but a masterclass in honoring theatrical history. The gown echoed Peters’ iconic 1999 Tony look, resonating with nostalgia while presenting a contemporary twist that is essential in today’s fashion dialogues.
Escola’s choice of color, which they charmingly dubbed “Cinderella blue,” added a layer of whimsy and enchantment to the evening. The custom gown featured exquisite hand-embroidered metallic beads, an off-the-shoulder neckline, and a long taffeta train that grazed the floor. The attention to detail in this outfit reflects a deep appreciation for the craft of costume design and its role in storytelling on stage. It’s more than just fabric; it’s a narrative carefully woven together that encapsulates moments from the past while paving the way for innovative future expressions.
Breaking Barriers with Non-Binary Representation
Escola’s presence at the awards was not merely about fashion but was monumental in cultural representation as well. Identifying as non-binary and using they/them pronouns, Escola became the first openly non-binary actor to win the award for Best Leading Actor in a Play—a watershed moment in the pursuit of inclusivity and diversity within the theatre community. This milestone is significant, not only for Escola but also for countless individuals seeking representation in an industry that has historically marginalized those who do not conform to the gender binary.
During their acceptance speech, Escola recognized their fellow nominees—George Clooney and Daniel Dae Kim among them—and light-heartedly referenced the shared experience of fine dining amidst cabaret lunches, which not only humanizes the pressure of competition but also speaks to the friendships and camaraderie that thrive within the artistic community. This rhetoric of inclusivity and levity rather than rivalry sends a powerful message about the importance of collaboration rather than competition.
Setting a New Precedent
Beyond the accolades, “Oh, Mary!” is a profound exploration of a complex historical figure: Mary Todd Lincoln in the days leading up to Abraham Lincoln’s assassination. The dark comedy delves into themes of desperation, identity, and the pressures of historical expectations, mirroring many struggles faced by individuals today. Escola’s groundbreaking victory thus serves as both an artistic and political statement, illustrating the necessity for diverse narratives in contemporary theatre.
But the event’s glamour doesn’t overshadow the serious implications of Escola’s win. They not only made history but set a model for future generations of performers who will forge their own paths in an industry that is reshaping its landscapes. The significance of seeing an artist who embodies authentic self-expression and competes with their own creation is a testament to the transformative power of art.
As the theatre world continues to grapple with issues of representation, Cole Escola’s performance and their stylish homage to Bernadette Peters illuminate not only the beauty of theatricality but also its capacity for change and inclusivity.
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